Make Noise/SoundHack Morphagene
The Morphagene is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.
A few of the Morphagene’s most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.
- NEW revision Morphagene firmware MG137 adds great functionality. Download today!
- Voltage control over all sound manipulation parameters
- STEREO I/O with Auto Input Leveling
- Recording Reel can be up to 87 seconds long
- Record/ create up to 99 Splices per Reel
- SD Card stores multiple Reels
- Sound On Sound allows for layering sounds
- Playback and Recording independent, like having two machines
- Vari-Speed range 12 semitones up and 26 down, over 3 octaves
- 24-bit codec, creates 48k 32bit WAV files
- Back up Reels on computer with SD Card
- includes blank SD Card
- Purchase from Make Noise dealers
Make Noise/SoundHack tELHARMONIC
The tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer module named for the music hall considered by some to be the location of the first electronic music concerts. It was coded by Tom Erbe with the goal of presenting three historically important pioneering electronic tone generation techniques less often implemented within the modular synthesizer.
The tELHARMONIC’s roots go back further than the advent of electronic music, as it also takes a new approach to handling music theory in the modular context. TONIC, INTERVAL, DEGREE and D-GATE, allow for patch-programming of complex chord progressions, scales, melodies and playing styles. This Voltage Controlled Music Theory guides the Algorithms in a unified way, whereas CENTROID, FLUX and H-LOCK sculpt the timbre of each Algorithm uniquely, allowing for complex sounds to be created around a unified melodic structure and pattern.
- 3 Voice Additive Harmonic synthesis inspired by Thaddeus Cahill’s Telharmonium, 1897
- Noise synthesis inspired by early computer music piece “Analog 1: Noise Study” by James Tenney, 1961
- 3 Voice Phase Modulation synthesis inspired by early commercial digital synthesis, 1980’s
- CENTROID, FLUX and H-LOCK animate each Algorithm uniquely
- All Algorithms available simultaneously at their respective outputs
- 6 octaves of continuous 1V/ Oct. pitch control, 4 octaves of quantized pitch control
- 3 Voice Shift Register allows for creation of any 3-note chord within the twelve-tone scale
- Voltage Controlled Music Theory!
- DEGREE Modulation able to be synchronized by clock or gate via D-Gate input
- Gate Out completes the conversation between tELHARMONIC and rest of system!
- Utilizes High performance DSP hardware with 24bit, 48kHz codec, 32 bit floating point processing
- Reasonable power consumption
- Has Spiratone inside
- Pairs well with Optomix
Make Noise/SoundHack ERBE-VERB
The Erbe-Verb is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control. Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found. Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it’s a whole new building block for modular synthesis. Like the Echophon, it’s coded by Tom Erbe of soundhack.
- Mono In, Stereo (or Mono) Out, all analog Dry signal path
- Size ranges from “coffin” to “the heavens”
- Continuously variable Decay settings all the way to infinite feedback
- Wide ranging Pre-Delay settings from 7ms – 500ms
- Manual or voltage controlled REVERSE reverb
- Control over Absorption, Internal Modulation Depth and Speed allows for programming smooth resonances, chorused doppler effects, shimmer, ghost choirs and more
- TILT shapes the tone of the reverb, dramatically emphasizing low or high frequency content
- Pre-Delay, Reverse and Internal Modulation all able to be synchronized to external clock via TEMPO input
- CV Out completes the conversation between Erbe-Verb and rest of system!
- Utilizes High performance DSP hardware with 24bit, 48kHz codec, 32 bit floating point processing and reasonable power consumption
- 20HP, 30mm depth, 149mA@ +12V & 15mA @ -12V
- $489 MSRP
- Purchase from Make Noise dealers
SoundHack and Make Noise are pleased to introduce their new eurorack synthesis module, the ECHOPHON. This is a Pitch Shifting Echo with smooth Time Modulation, Tempo Sync, saturating Feedback and a unique Pitch Shifting algorithm inspired by the Springer Tempophon lovingly engineered by SoundHack and made into hardware by Make Noise.
- Shift Pitch of signal +/- 2 Octaves
- Exponential control of delay time -Maximum Time 1.7 Seconds, Minimum Time 7 ms
- Tempo input allows synchronization of Echoes to multiple or division of an external Clock
- Two independent internal digital Feedback paths (Loop 1 and Loop 2)
- External Analog Feedback Path for filtered or processed echoes
- FREEZE button/ gate input allows for hold, stutter and sampling techniques
- 24 bit ADC/DAC, 32bit processing, 16bit delay storage operating at 40khz
- Vactrol based Mix circuit for smooth blending of dry and wet signals
- All Analog Dry Signal Path
- Voltage Control over ALL parameters